MICHAEL
SNOW
JEFF
SCHER
PETER
ROSEJEFF
TAKAHIKO
LIMURA
BARBARA
HAMMER
MATTHIAS
GROEBEL
SEYMOUR
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NISI
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Peter Rose
Biography
PETER ROSE is currently professor of film at the University of the Arts in Philadelphia
where he directs the film and video program. He received his B.A. in Mathematics
from the City University of New York n 1967 and subsequently studied film at the
graduate level at San Francisco State University. Since 1965 he has been making
film and videos engaged with issues of perception, language, time, and mythos.
His works have led to the invention of new forms of cinematic structure, to improvisations
in fictitious language, and to the pleasures of obscure journeys.
Rose’s film, tape, installation, and performance works have won numerous
awards of distinction at festivals both in the U.S. and abroad, and have had extensive
exhibition at most of the major media centers in this country. His work has been
the subject of critical review in Art Forum, Afterimage, American Film, Cinematograph,
Millennium Film Journal, the NY Times, The Village Voice, etc. He has had over
sixty one-man exhibitions of his work, including show at the Centre Pompidou in
Paris, the Museum of Modern Art, NY, and the Institute of Contemporary Art, and
the Philadelphia Museum of Art, and has presented performance works at the Polyphonix
Festival in Paris, at the Flaherty Film Seminar in Wells, and at numerous other
sites in the U.S. and abroad.
Rose is the recipient of several prestigious fellowships, including four from
the National Endowment for the Arts, eleven from the Pennsylvania Council on the
Arts, and both Guggenheim and Pew Foundation Fellowships. His work has been broadcast
over PBS affiliate stations in Philadelphia, New York City, Boston, and Los Angeles.
Several major institutions have acquired the work including the Museum of Art,
Pittsburgh; Image Forum, Tokyo; Centre Pompidou, Paris; Harvard University, and
the Australian National Film Archive.
Rose has also been commissioned to produce performance work for New Music America;
video installation for an electronic commemoration of Ben Franklin’s death;
experimental documentaries on Jody Pinto, Stephen Berg, Martin Puryear, and Ed
Levine for the Fairmount Park Art Association; and a permanent video installation
for the Philadelphia International Airport. Both The Learning Channel and the
Voom high definition network have purchased his films; he is handled as an independent
artist on the home video circuit by Facets Video and by Re:Voir, and both Canadian
Film Distribution Centre and The Kitchen carry compilations of his collected works.
2004 Philadelphia Museum of Art; Millenium Film, NYC; Images Festival, Toronto
2003 Roaratorio; European Media Art Festival; Cinematexas; Fabric Workshop Museum
2002 Polyphonix Festival, Paris; Le Fresnoy, Lille; ZKM Museum, Karlsruhe
2001 Rotterdam International Film Festival; Film Society of Lincoln Center; San
Francisco Cinemateque; Black Maria Film and Video Festival
2000 Whitney Museum, “The American Century”; Delaware Art Museum Biennial;
Oberhauseun Short Film Festival; European Media Art Festival, Osnabruck
1999 Kulurzentrum bei den Minoriten; Graz, Austria; 7th International Media Art
Biennale, Wroclaw, Poland; “Electromediascope”, Nelson-Atkins Museum,
Kansas City
1997 Transmediale Festival, Berlin; Impakt Festival, Germany, New York Short Film
and Video, Philadelphia Museum of Art, World Wide Video Festival, Amsterdam
-Peter
Rose
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