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| • |
Calvesi, Maurizio. “Futurismo e arte meccanica:
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| • |
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Mascioni, Grytzko. “Everyday: il film inedito
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Noble, G. W. “Historical Development of the
Animated Film.” International Photographer (March 1949). |
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O’Konor, Louise. “Viking Eggeling and
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Life and Work. Stockholm: Acta Universitatis Stockholmiensis,
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Passoni, Franco. “Le esperienze di Hans Richter.”
Siprauno, no. 5 (September/October 1965): 107-114. |
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Pezzolato, Lietta, and Roberto Codroico. “Ribellione
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• Pezzolato, Lietta, and Roberto Codroico.
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| • |
Read, Herbert. Untitled. La Città 3 (June
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| • |
Reef, Betty. “Movies Go to College.”
Popular Photography 18, no. 1 (January 1946): 73-78, 88-94. |
| • |
Reef, Betty. “The New Avant-Garde Movie.”
Vogue (15 April 1946): 156-7. |
| • |
Reef, Betty, and Arthur Reef. “Artists Make
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| • |
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| • |
• Rondolino, Gianni. “Oggi dipingo un
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Rotzler, Willy. “Experiment als Lebenselexier.
Em Gesprach mit Hans Richter.” Die Weltwoche (6 March 1959). |
| • |
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Review in DU 28 (March 1966): 216. |
| • |
Rotzler, Willy. “Kunst und Künstler in
Zurich 1914-1918.” DU Atlantis 26 (September 1966): 689-706. |
| • |
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| • |
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| • |
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Iibertà.” Gala International 69 (December 1974): 95-102 |
| • |
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grafica dal 1902 al 1969. Pollenza: La Nuova Foglio, 1976: xii-xv. |
| • |
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3 (March 1976): 19-28. |
| • |
Sanesi, Roberto. “Richter ultimo tempo.”
Studio Marconi 5 (1976). |
| • |
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| • |
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L’Oeil, no. 11 (November 1955): 24-39. |
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Paris: Maeght, 1950: 311 |
| • |
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Art d’Aujourd’hui 2, no. 6 (June 1951): 13-14. |
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Art Digest 28, no. 14(15 April 1954): 26. |
| • |
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In Studies of a Movement, ed. Richard Sheppard. Buckinghamshire,
England: Alpha Academic, 1980: 39-74. |
| • |
Sheppard, Richard. “Ferdinand Hardekopf und
Dada.” Jahrbuch der deutschen SchiIIer-Gesellschaft 20 (1976):
132-161. |
| • |
Sheppard, Richard. “Thirty-three Letters, Telegrams
and Cards from Hans Richter to Tristan Tzara and Otto Flake (1917-1926).”
In New Studies on Dada: Essays and Documents, ed. Richard Sheppard.
Driffield, England: Hutton Press, 1981: 122-143. |
| • |
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39-42. |
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| • |
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| • |
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Weinberg, Herman G. “An Index to the Creative
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Weinberg, Herman G. “30 Years of Experimental
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| • |
Weinstein, Joan. The End of Expressionism: Art and
the November Revolution in Germany, 1918-19. Chicago: University
of Chicago Press, 1990. |
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La Città 3 (June 1964): 51. |
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Werner, Theodor. Untitled. La Città 3 (June
1964): 51-53. |
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Wolf radt, Willi. “Grosse Berliner Kunstausstellung.
November Gruppe.” Der Cicerone 5 (1923): 522-523. |
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| • |
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Books Written about Hans Richter |
| • |
“Hans Richter”
Authors: Rolf Szymanski, Director Akademie der Künste Berlin.
Felix A. Baumann,
Director Kunsthaus Zürich.
Armin
Zweite, Director, Städtische Galerie im Lenbachhaus München.
Publisher: Frölich & Kaufman. |
| • |
“Hans Richter: Activism, Modernism, and
the Avant-Garde”.
Author: Stephen C. Foster
Publisher: The MIT Press
“Few artists spanned the movements of early twentieth-century
art as completely as did Hans Richter. Richter was a major force
in the developments of expressionism, Dada, De Stijl, constructivism,
and Surrealism, and the creator, with Viking Eggeling, of the
abstract cinema. Along with Theo van Doesburg, László
Moholy-Nagy, El Lissitzky, and a few others, he is one of the
artists crucial to an understanding of the role of the arts in
the reconstruction era following World War I.
Most American scholars have focused on Richter's film work and
have favored a strictly formalist approach that separates art
and politics. The contributors to this book rewrite Richter's
history to include his pivotal role in the development of the
early twentieth-century avant-garde and his political activism.
When Richter's work, particularly that of his earlier, European
career, is viewed in its historical and political context, he
emerges as an artist committed to the power of art to change the
fabric of social, political, and cultural affairs”. |
Masters, Theses and Ph.D. Dissertations on Hans Richter |
| • |
Hoffmann, Justin. “Veränderungen der Erzáhlstruktur
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Zurhake, Monika. “Filmische Realitãtsaneignung.
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